Monday, December 31, 2012

John Dies at the End


If you notice over there in the sidebar, you'll see that the last book I read was John Dies at the End. I don't read a lot of books, my schedule is more suited to comic reading as I can sit down and finish one of those in 20 minutes or less. My obsessive compulsive nature demands that if I sit down to read, I must do so until the end of a chapter, or at least one of those obvious "stop reading here if you're obsessive compulsive" breaking points. Anyway, my point is, I read a lot but when it comes to novels I read REALLY slowly. In fact, this year I managed to read two books (well three if you count my yearly reading of Cycle of the Wolf at Halloween), and those were The Strain and John Dies at the End.

This isn't about the book though, this is about the movie. I said all of that to say this, I wouldn't have thought it possible, but somehow Don Coscarelli managed to actually make a fairly faithful adaptation of what can only be described as a bad acid trip of a story and put it on film. To begin to describe this movie story-wise would do little but confuse you most likely. It involves a drug known as Soy Sauce, and it's side effect of allowing users to both time travel and parallel dimesion hop. I've seen it described as "Clerks meets Lovecraft" and that sums it up better than I'd likely be able to. It sounds crazy because it is. What it also is though, is damn entertaining. This movie has more "what the fuck?" moments in it's first 15 minutes than most do in their entirety.


The most impressive thing to me was Coscarelli's attention to the detail from the book, which he obviously read and loved as much as I did. No, everything isn't here, of course it isn't. To fully adapt the book, there would have almost need to be at least two films, possibly a trilogy. But as it stands on it's own, there's a surprising amount included from the book, and almost everything in the movie looked exactly as it did in my head. Big praise here from me, as it's rarely the case. The cast all turn in strong performances, particularly Chase Williamson as Dave, and of course Paul Giamatti as Arnie. Rob Mayes is also good as John, but there were times I felt like he was the weakest link in the chain.

John Dies at the End I can see being one of those movies people are either going to love or hate. It doesn't make a whole lot of sense, the book doesn't either. There's some gore, most appeared to me to be practical effects, and they're good. The CGI leaves a bit to be desired, but thankfully there isn't a lot. If you read and enjoyed the book, I'm confident that the movie won't disappoint. If you haven't, you're either in for a treat, or for what you will view as 100 minutes of your life you can never have back. Personally, I fell in love with the insanity of this story, and plan to read This Book is Full of Spiders next because I'm beyond ready to dive back into this universe and enjoy more of it's brand of crazy. Thumbs way up!


Wednesday, December 26, 2012

Holliston Xmas Special


While not the greatest thing on Earth by any stretch of the imagination, Adam Green's Holliston did manage to be somewhat entertaining in it's first season. Enough so that I'm looking forward to what I hope is an improved season two. Recently, a special Xmas episode was released online, and I thought I'd post it, just in case you've never seen Holliston, or maybe have seen it, and would like to see more. Final Xmas post for this year, enjoy!

Monday, December 24, 2012

Happy Holidays

Wishing you and yours Happy Holidays


From Tales From the Batcave!

Friday, December 21, 2012

Friday Night Drive-In


Posting late tonight due to my job doing it's very best to destroy my Xmas spirit, a mere 4 days before the big day. I'm too damn excited about tonight's Drive-In offering to let tonight slip by without a post though. 1984's holiday classic is ready to roll, enjoy Don't Open Till Christmas!



"'Twas the night before Christmas... and all through the house...not a creature was stirring....because they're all DEAD."

Thursday, December 20, 2012


This shipped unexpectedly quickly, and as such has become yet another early Xmas gift for myself. This DC Universe Supervillains Joker bust is giving my Brian Bolland Black and White Joker a serious run for it's money as my favorite Joker piece from my collection. I'm in love with the sculpt and paint job on this one, not to mention the pose. Another fantastic statue from DC Direct, they never disappoint. 






Wednesday, December 19, 2012

Infinite Playlist - Deck the Batcave

Soundtrack to the Xmas party in the Batcave! Come one, come all...








And of course, who could ever forget the beloved yuletide anthem...


SANTA'S A FAT BITCH!

Sunday, December 16, 2012

Impetuous

I am seriously getting into these short films lately. Got an email from the director about this one last night, and gave it a look. Good stuff, so I thought I'd share. Check out "Impetuous"...

Saturday, December 15, 2012

Gut


Sat down at about 2:30 this morning to finally watch Gut. This one isn't exactly horror in the strictest sense of the word, although there are some horrific images, Gut is more of a psychological thriller through and through. These types of movies are usually pretty hit or miss with me, I either love them or hate them. So did I love Gut? No, but I didn't hate it either. This one finds itself as a part of a very exclusive club of thrillers that I while I wouldn't immediately refuse a second or third viewing, I wouldn't necessarily add it to my dvd collection either.

Tom and Dan are childhood friends who never parted ways. In fact not only have they grown up together, they work together, in cubicles directly across from one another. Tom seems to be more successful of the two, depending of course upon your definition of the term "successful", he's better dressed, more clean cut looking, has a wife and kid, etc. Dan appears to be the type that maybe never really got around to growing up. He's unkempt, lives alone in a small apartment, and is constantly after Tom to come over and hang out, have a beer, watch horror movies all night, the way they used to back in high school. One night in particular, Tom finally caves in when Dan entices him with an underground horror film he says he's gotten his hands on that Tom has to see. The movie simply shows a woman's abdomen get split open with a knife, and the killer plunge his hand into her stomach. 


Obviously disturbed by what he's seen, Tom storms out of the apartment, encouraging Dan to destroy the video. He can't seem to get the image of the film out of his head though, and a couple of days later a second film shows up in Dan's PO box. They watch again, same thing, different abdomen. A couple more films arrive, and eventually there's one in which the two of them recognize the victim, the waitress from their favorite lunch spot that Dan's recently started seeing. Tom of course questions Dan as to whether or not he's been honest with him about the films, and if he had anything to do with what they'd witnessed. Dan denies having done anything wrong, but Tom begins to distance himself, afraid for the safety of his family and his own sanity.

From there, Gut begins to make you wonder just who is behind the murders, as both guys appear to be unraveling a bit over the films. Tom's having trouble at home, Dan's missing work, drinking heavily, and is desperate for attention from Tom. Of course I'm not going to spoil the ending, but I will say that while I've seen far more disturbing things, Gut did make me sit there for a second as the credits rolled. Disturbing doesn't really work as a descriptor for this movie, it was more like uneasy. Almost like I knew what was coming, I just hoped I was wrong. I wasn't. 


For a movie like this to truly work, the cast has to be on point, otherwise the emotion involved doesn't come across and things just look silly. In this respect, almost everybody involved does a good job. Nobody really stood out performance wise for me, save maybe for Nicholas Wilder as Dan, and even he had his questionable moments. Jason Vail as Tom ended up being my least favorite of the bunch, which was unfortunate as he was the main character, and had the most screen time. 

For an indie thriller effort, Gut manages to fire on most cylinders. The pacing was good, the plot wasn't the deepest thing I've ever seen, but it did manage to keep me entertained, and the cast did a good enough job to make things at least believable. If you're looking for a psychological thriller a little more on the lighter side, this one might be up your alley. If you go into this hoping for the next Feed, you will probably come away a bit disappointed.

Friday, December 14, 2012

Friday Night Drive-In


Not as much fun as the first one, but still better than a movie about a mutant killer snowman should ever have any right to be...



 "Ohhh, I guess it was decapitated coffee"

Monday, December 10, 2012

The Collection


It should come as no surprise, but your enjoyment of The Collection is most likely dependent upon whether or not you liked The Collector. Me? I thought The Collector was a pretty damn good little movie. I dug the killer, his use of traps, the gore, and even got into the story. From the trailers, the sequel looked like it was going to build upon all that, with even more traps, more gore, and more of a look at  the back story of the man behind the mask. Thankfully, The Collection does just that.

It picks up pretty close to where The Collector left off, which was important being that the last thing we saw there was Arkin being slammed into the Collector's trunk, before being driven off in an ambulance. Of course then he was in all the trailers for Collection, so there had to be some explanation as to how he managed to escape. We get to see his escape, which is then followed by the club scene which I've seen a lot of mention of online the past couple of weeks. This movie features the biggest club massacre scene I can remember since the bloodbath in the first Blade movie. Traps going off left and right, heads exploding, people being torn in half, people being crushed, and the Collector just sitting back and watching the mayhem unfold. If it sounds like I enjoyed this scene immensely, it's because I did.


Whereas the first movie almost completely took place inside the Chase house, the sequel does a bit more to give less of a claustrophobic feel. Still, a majority of the movie does take place in one location, it's just a much larger location, an abandoned hotel that the Collector has turned into his own private amusement park from hell. It's where he takes his victims, torturing and mutilating them, creating the twisted works of art that you likely saw on the movie posters, or in the trailer. As long as you can turn off your brain, and just watch, this is an incredibly badass locale. When you start overthinking, especially when the traps start going off, it seems a bit ridiculous. Dude has this hotel rigged to the HILT. He's obviously an extremely intelligent individual, but damn, I can't see how anybody could remember where all the trip wires, triggers, pressure plates, etc. were located in a place this big. Maybe that's just because I'm getting forgetful in my old age though, and can barely remember where I've put things from one minute to the next. Suffice it to say if I was the Collector, it wouldn't be long before I fell victim to my own devices.

As mentioned above, Josh Stewart reprises his role as Arkin, and once again plays the role of a criminal with one hell of a soft spot for a damsel in distress. I'm also of the opinion that the character has have some sort of mutant healing factor, as he undergoes more punishment than any human being should be able to withstand and keep going. Almost immediately I noticed that the Collector himself looked much bigger, and sure enough the original actor Juan Fernandez is replaced by Randall Archer who is noticeably larger in stature. Not complaining or anything, I actually liked that the Collector was a beast in this one, but still it's very noticeable. Other notables from the cast were Emma Fitzpatrick, Andre Royo, and most importantly Lee Tergesen and Christopher McDonald (Shooter McGavin!). I particularly enjoyed Lee Tergesen as the badass. Don't know exactly why, I suppose it's because he'll always be Terry from Wayne's World to me, but I was highly entertained by his performance.


Visually, The Collection is nothing to write home about. The "Saw" influence is abundantly obvious. Lots of shaky cam when the action is happening, particularly the fighting. The trap deaths aren't as bad, we are given a pretty clear look at the carnage there, although sadly almost everything appeared to be CGI. Aside from some bloody body parts spread all over the place, there didn't appear to be much in the way of practical effects. I did enjoy some of the camera work, particularly some of the shots of the Collector watching his traps do their thing, I loved how he just lurked above, watching silently. One scene in particular toward the end of the movie was incredibly badass, when double doors swung open and he was standing in between two large german shepherds, assault rifle in hand, with the light pouring in to the room from behind him. Was it cheesy? Yeah. Did that make it any less badass? Nope.


When all is said and done, The Collection won't win any awards. In fact, it probably won't show up on many people's "best of 2012" lists, even from those of us in the horror blogging community. If you hated The Collector, you won't like The Collection. For those of us who are fans of the original though, there's a lot to like here, and I can't see how anyone would come away disappointed.